《Blue Mirror Light》包含了三個臺灣建築作品 —— 孔維傑和張雅筑的 〈藍屋〉、沈庭增建築製作的〈目目裏山〉，以及大林工作室的〈House One〉。除了這三個建築攝影系列外，同時也收錄了一部分我們的挑戰建築與攝影邊界的實驗影像系列作品。在刻意限於三個建築作品中，本書延伸了空間攝影對於身體感的理解，試圖透過系列影像的呈現，緩慢地延展出空間裡的影像敘事，嘗試讓各個建築作品裡的攝影意圖能更加明確。
以「長鏡頭」電影手法為靈感，這三個計劃被轉化為各自獨立的系列影像，拼接彙整成另一種空間敘事。如同電影中的場景一般，影像的畫面雖靜止，但卻蘊含著稍縱的時空與經驗，被捕捉的影像，質地是流動、具體，且帶有各自獨特的氛圍；而建築在此，則被攝影轉換為多種不同的樣貌，帶出空間多層次的精神。
Blue Mirror Light encapsulates three projects in Taiwan – Blue House by Wei Chieh Kung and Lydia Ya Chu Chang, Mirror Mountain by Shen Ting Tseng architects and House One by Studio Lin. In addition to the architectural photo series, there is also a segment of our personal work, a projected photo series that tests the limitations of architectural representation. This book is restricted to three projects only in order to extend the apprehension of the photographic experience of space with a longer format enhancing the range of photographic intentions for each architecture project.
The three projects are translated into a sequence of images, spliced and compiled together as a spatial narrative in an approach inspired by the idea of a “long take” in cinema. As in films, the still frames of photography, although static, contain ephemeral qualities of time, space and experience, which are fluid, tangible and atmospheric. The projects can also be translated into a multitude of varying impressions through photography.
