明治維新後積極脫亞入歐的日本政府將台灣作為建築的實驗場所及作為大國的殖民門面展示，這些高聳宏偉的巨型建築多數位於城市的核心地帶。當初為了殖民便利而興建的公共性安妮女王風建築如今多轉變為中華民國政府的辦公大樓或轉型成面相公共空間的展館場所。
由前殖民政府所建的紅白磚瓦建築是作者過去生活中每日必定會看到的景色。散佈在記憶與日常的高聳紅白幾何被藍色天空照耀著，對作者而言就好像是青天白日滿地紅，不斷照耀並持續流轉於這塊土地……
透過翻閱過程中自動翻頁輝揚的旗幟與印刷分色邏輯，本書呈現作者從紅白色建築與藍色的天空聯想至青天白日滿地紅的過程。
After the Meiji Restoration, the Japanese government, which actively pursued the policy of “leaving Asia and entering Europe,’’ regarded Taiwan as a site for architectural experimentation and as a showcase of colonial power.
Towering and monumental, these structures were typically built at the heart of major cities, serving both to accentuate colonial authority and to facilitate administration. Today, many of them have been repurposed, either as offices for the Republic of China government or as cultural spaces open to the public.
These red-and-white brick buildings were part of artist’s everyday scenery, always in sight during her daily commute.
Red and white towering geometric forms, scattered across the corners of my daily life and memory, are being shone upon by the blazing white sun suspended in the vivid blue sky. To artist, they loomed like a giant vision of the national flag — the Blue Sky, White Sun, and a Wholly Red Earth —constantly fluttering before her eyes.
Through the motion of pages turning automatically under sunlight and the logic of color separation in printing, this book presents the artist’s process of associating the red-and-white buildings and the blue sky with the flag of the Republic of China – Taiwan’s government.
書籍本體：13.5 x 27 cm，附錄本體：10.5 x 14.8 cm
盒子（內裝有書籍本體與附錄本體）：14.2 x 30.2 x 1.2 cm
書籍本體：9 pages / 附錄：20 pages
限量150本
2025
