二〇一四年，攝影計畫《期間》始於一處日常的工地現場：巨大鷹架上攀爬的人體，在看似毫無防護的狀態下懸置於空中——看見人體身處不確定狀態所引起的、本能性的恐懼與疑問，在後續成為《期間》不斷復返的起點。
龐然與渺小、堅硬與脆弱，有機的生命在無機的鋼骨中穿梭。工地常被理解為勞動與辛苦的代名詞，《期間》避開對勞動與汗水的聚焦，轉而透過魔幻的色調拉開觀看的距離，使既定印象暫時失效。
「期間」，是一段施工期，也指一段梳理期。在觀看過程中，《期間》嘗試拆解並重組社會之於工地與工人的觀點，提供觀者與攝影師自身一段能不斷被拆解與建構的空間——我們該如何思考、如何靠近我們未能真正理解的一切？
In 2014, the photography project “QIJIAN” began at an ordinary construction site. Human bodies climbing across massive scaffolding, suspended in midair with seemingly no protection, provoked an instinctive sense of fear and uncertainty. This initial encounter with the human body in a state of instability became the recurring point of departure for QIJIAN.
“QIJIAN” refers not only to a period of construction, but also to a period of reflection.
Through the act of looking, the project seeks to dismantle and reconfigure prevailing views of construction sites and laborers, offering both the viewer and the photographer a space that can be continuously taken apart and rebuilt.
How do we think about, and how do we approach, what we have yet to truly understand?
26X18.5X0.7cm
64 pages
2025
