這本攝影集的創作始於2014年，有一天早晨在家鄉新竹的陽台，從高處俯瞰眼前一大片被風吹拂擺動的稻田，感到眼前的景致就像一幅畫，而我看見了它存在於世間的另一種姿態。
此系列的靈感源自攝影「Photography」的原意「以光繪畫」。主要創作手法即是以感光元件作為畫布，將光擬為畫筆，以攝影作為媒材完成所謂的「光畫」。
概念上則取自佛家「諸法空相」，意即「萬物並沒有真實性的存在狀態」。
The genesis of this photobook dates back to 2014. One early morning in my hometown of Hsinchu, I looked down and beheld a vast expanse of rice fields swaying in the breeze. It was as if I was appreciating a painting. And yet, I seemed to have caught sight of another posture with which it exists in the world.
This series is inspired by the origin of the word “photography”, that is “painting with light.” I saw photosensitive materials as the canvas, light as the paint brush. Photography was the medium I employed to complete my “light painting”.
Conceptually, it draws from the Buddhist notion of “all things are devoid of intrinsic existence,” meaning that everything lacks a true and substantial state of existence.
出版社：自出版
25.7 x 18.2 x 0.8 cm / 日本新浪厚卡紙、凝雪映畫紙 / 100本 / 2023
