我喜歡那些看似滑稽卻又嚴肅的畫面用孩童般純粹視角捕捉到現實世界中那種不協調的縫合感,透過編輯後的視覺韻腳讓(真實)與(虛構)之間遊走在微妙的平衡,作品充滿了幽默而犀利的超現實觀察,它(可能是)消費主義、社會階級的諷刺批判、都市生活中的孤獨與疏離、人與環境連結的密不可分。
顯露人們行為的滑稽面向,揭露當代文化對自然和傳統的粗暴對待,就像一場沒排練好的舞台劇,後台的雜物和前台的表演被觀眾同時看到一般,它們(同時存在)。
但在攝影的語境下它不需要被美化或拯救,只需要被(看見),放下對真實與虛構的(分別心),那種隨心所欲、信手捻來的荒妙感,或許就是我在攝影當中感受到的(無為) 吧!
這是一本在街頭捕捉到的荒誕與真實
那些刻意被忽略卻無處不在的城市錯位
影像在冷靜的視角中爆發出強烈的黑色幽默
將那些看似無為的日常碎片
編輯成一場不被定義的視覺漫遊
I am drawn to images that appear comical yet serious—capturing, through a childlike and pure lens, the sense of incongruous juxtaposition found in the real world. Through a process of visual rhyming in the editing, the work navigates a delicate balance between the real and the fictional. It is infused with humorous yet incisive surrealist observations—touching upon themes such as consumerism, social class critique, urban loneliness and alienation, and the inextricable bond between humanity and the environment.
These images reveal the comical side of human behavior and expose contemporary culture’s rough treatment of nature and tradition. It is akin to an unrehearsed stage play where the audience simultaneously witnesses the backstage clutter and the onstage performance—a state of simultaneous coexistence.
Yet, within the context of photography, this reality requires neither beautification nor redemption; it simply needs to be *seen*. By letting go of the *distinction* between the real and the fictional, I embrace a sense of absurdity that arises spontaneously and effortlessly—perhaps this is the essence of *wu-wei* (effortless action) that I experience in photography.
This is a collection capturing the absurdity and reality found on the streets—
those ubiquitous urban dislocations that are deliberately overlooked.
Through a detached perspective, the images erupt with intense dark humor,
transforming seemingly inconsequential fragments of daily life
into an undefined visual odyssey.
14.8 × 21.0 cm
36 pages
初版一刷36本
2026
